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 <title>TeledyN - Exploring The One-Track Mind - Comments</title>
 <link>http://blog.teledyn.com/node/1438</link>
 <description>Comments for &quot;Exploring The One-Track Mind&quot;</description>
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 <title>Lessig on Wilco</title>
 <link>http://blog.teledyn.com/node/1438#comment-2851</link>
 <description>&lt;p&gt;If you need any further proof that the one-track free-trade music-blog distribution system is the future of band/fan music communications, here it is ...&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;&lt;cite class=&quot;blog-source&quot;&gt;After its Warner label, Reprise, decided that the grou&lt;/p&gt;
</description>
 <pubDate>Mon, 31 Jan 2005 10:53:32 -0500</pubDate>
 <dc:creator>TeledyN (trackback)</dc:creator>
 <guid isPermaLink="false">comment 2851 at http://blog.teledyn.com</guid>
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 <title>If you need any further</title>
 <link>http://blog.teledyn.com/node/1438#comment-2849</link>
 <description>&lt;p&gt;If you need any further proof that the one-track free-trade music-blog distribution system is the future of band/fan music communications, here it is ...&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;&lt;cite class=&quot;blog-source&quot;&gt;After its Warner label, Reprise, decided that the group...&lt;/p&gt;
</description>
 <pubDate>Mon, 31 Jan 2005 10:36:00 -0500</pubDate>
 <dc:creator>TeledyN (trackback)</dc:creator>
 <guid isPermaLink="false">comment 2849 at http://blog.teledyn.com</guid>
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<item>
 <title>Exploring The One-Track Mind</title>
 <link>http://blog.teledyn.com/node/1438</link>
 <description>&lt;p&gt;&lt;a href=&quot;//mt/archives/001432.html&quot;&gt;Investor contributions&lt;/a&gt; have tapered off, and maybe it&#039;s the weekend traffic slump effect, hangovers from all you celebrating &lt;a href=&quot;http://www.mexconnect.com/mex_/feature/daydeadindex.html&quot;&gt;Dia de los Muertos&lt;/a&gt;, or maybe the more likely, that I&#039;m just not articulating the honey in this pot.&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;http://www.waipahums.k12.hi.us/TLCF/Miura/Library%20Webpages/Take%20One.gif&quot; alt=&quot;&quot; height=&quot;204&quot; width=&quot;205&quot; class=&quot;left&quot; /&gt; At the root of this plan to &lt;a href=&quot;http://www.teledyn.com/mt/archives/001436.html&quot;&gt;unseat the &lt;span class=&quot;caps&quot;&gt;RIAA &lt;/span&gt;control&lt;/a&gt; is this frightening concept of the free track, the quick-and-dirty Sun-Records style single recording, done cheaply as possible, as often as possible, and using this as the token of exchange by which new music artists become widely known and recognized.  The success of this plan rests 100% on acceptance of this new music format in the same way that acceptance of the 3-minute track was the entry price to get in on the post-war radio boom.&lt;/p&gt;
&lt;h3&gt;How Free is &quot;Free&quot;&lt;/h3&gt;
&lt;p&gt;The idea is to reduce the production cost to subvert the &lt;span class=&quot;caps&quot;&gt;RIAA &lt;/span&gt;argument that pop music creation costs must be recouped by CD sales, and by extension how bootlegging cuts the artist at their production cost funding level.  Here&#039;s where the studios must play an innovative part, to take all this new-generation of recording/mixing equipment and instead of reaching ever higher into digital manipulations, to &lt;em&gt;expand&lt;/em&gt; their repetoire to recreating the old one-shot live capture of the living sound.&lt;/p&gt;
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 <comments>http://blog.teledyn.com/node/1438#comments</comments>
 <category domain="http://blog.teledyn.com/taxonomy/term/4">slay the RIAA</category>
 <pubDate>Sat, 01 Nov 2003 07:12:54 -0500</pubDate>
 <dc:creator>mrG</dc:creator>
 <guid isPermaLink="false">1438 at http://blog.teledyn.com</guid>
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